Streetkid (Lifepath)/Dialogue choices

Act 1

 * The Pickup
 * V can identify that the inhaler offered by Dum Dum contains Black Lace (S-keef). V can know it's a drug hard to get, the drug effects, and it's use by corps' fighting legions during the Corp Wars.
 * The Heist
 * At the entrance of Afterlife, V can share with Jackie Welles to enthusiasm of finally arrive in the major leagues.
 * When Jackie tells V that the Afterlife used to be a morgue, V will tell Jackie that V is the one who told him that.
 * V can say to Claire Russell that thinks the Afterlife might be the oldest club in Night City maybe half a century. Claire will respond that she don't know how much years exactly Afterlife is around, but it is longer than that. Claire will complete saying that the Afterlife is also the most respect club in the city, not just the oldest.
 * V can reply to Jackie Welles that Yorinobu Arasaka's behavior is a rich asshole's whim, and ask why V should care about some bougie prick and his street-kid fantasies. Jackie will agree and call Yorinobu a poser with corp protection.

Act 2

 * Playing for Time
 * V can tell Goro Takemura that Tom, from Tom's Diner, is a good guy, not afraid to speak his mind. Takemura will reply saying that Tom remind him of his father, that also worked in a kitchen all his life.
 * The Space in Between
 * V can tell to the punks standing at the entrance of Finn Gerstatt's clinic that got a message from the Tyger Claws to Fingers.
 * V can ask Judy Alvarez if the Moxes got Fingers in their crosshairs.
 * M'ap Tann Pèlen
 * V can ask the beggar how got recognized, and suggest it was the hair. The beggar will respond that the Voodoo Boys have had eyes on V since V entered Pacifica District.
 * V can comment with the beggar about the interesting business strategy of the Voodoo Boys, with no one knowing a thing, like names or details. The beggar will respond that they knowing V's name is enough.
 * V can say to the vendor at Rolland's Butcher Shop that V doesn't know enough creole.
 * V can say to Placide that heard a thing or two about his crew, the Voodoo Boys: best netrunners in Night City. Things like bleedin' edge black soft, corporate data heists and wagin' war on NetWatch. But no one mentions chickens.
 * I Walk the Line
 * V can tell the Bryce Mosley that don't work with corps. Bryve will respond that everyone does, and bet that V have, too, and that he could verify that right away, but they don't need distractions in that moment.
 * V can tell the Bryce Mosley that rather put trust in the Voodoo Boys than in Bryce, by a mile. Bryce will respond that knows NetWatch is not popular in V's circles, but wherever ther's a real problem, it's NetWatch, not Pacifica's shady hacker cult, that gets the call. V will respond that the Voodoos knows black tech better than anyone, and prefers Voodoo's expertise over NetWatch's. Bryce will recognize it's a clever thinking, but it's the wrong choice because the Voodoo Boys never answers the call, because if you're not Pacifica born and bred, you're less than nothing to them.
 * Ghost Town
 * V can recognize Boz from the 6th Street after Panam Palmer gives Boz a call. V also comments about the gang's old-fashioned American patriotism.
 * Down on the Street
 * V can convince Wakako not to call the authorities by bringing up how she was still bitter and hurt about how her grandson had been murdered by Arasaka.
 * Gimme Danger
 * V can tell Goro Takemura about when was a kid: hoppin' buildings, runnin' away from badges, iron taste of blood from a split lip...
 * Search and Destroy
 * V can ask Hanako Arasaka if V's word means nothing to her.

Act 3

 * We Gotta Live Together
 * When V accepts the jacket from the nomads, V can say the jacket is incredible, and that soon they get back from Mikoshi, they'll celebrate and V will buy a round.
 * All Along the Watchtower
 * V can discuss with Panam Palmer about how V used to think that owns Night City, and vice versa, but now there is nothing to keep V there, though.

Gigs and Side Jobs

 * Space Oddity
 * V can tell the bums that stuff like the briefcase they got doesn't just get lost, and that hey wn't find anything in there, 'cept trouble. One of the bums, Rick, will respond that they doesn't stolen the briefcase, and just found it. V will then warn that whoever comes lookin' won't be asking questions.
 * Chippin' In
 * V can recognize Crispin Weyland's surname.
 * A Like Supreme
 * V can recognize the DeLuze Orphean got by Bes Isis for the concert, because Johnny Silverhand appeared holding the Orphean in a Samurai graffiti in Heywood District, where the bakery used to be. The graffiti got painted over a while ago, according Bes.
 * The Beast in Me: Santo Domingo
 * V can tell Claire Russell that got a bad feeling about the race, due to the presence of gangs like the 6th Street and the Moxes.
 * I Fought the Law
 * V can remember that there was an attempt on Lucius Rhyne's life a few days before his passing.
 * V can ask Detective Han that knows Night City inside out, being born and bred there.
 * V can tell the Animals Alpha guarding the warehouse entrance that just wanna go inside, and don't want any bad blood with Animals. The Alpha will respond that's a fuckin' relief, because if V did, she'd have to fuck V up herself, an' she isn't in the mood. V can ask if it means they can go in, and the Alpha will respond that V can delta the fuck off.
 * Spray Paint
 * V can tell the vandal to get lost or V'll break his hands.
 * Following The River
 * V can tell Joss Kutcher that considers Heywood District as family.
 * On top of the water tower above the view of Night City, V can tell River that those corps trash the streets with their temples.
 * Gun Music
 * V can say to the Scavengers that something about the deal stinks.
 * V can say to Carol that could the trap from a mile away, since the deal with the Scavengers is occurring in their turf and conditions.
 * Riders on the Storm
 * During the discussion between Saul Bright or Panam Palmer, about joining or not forces with Biotechnica to handle the Raffles, V can side with Saul, saying that sometimes you gotta join with the strong.
 * During the discussion between Saul Bright or Panam Palmer, about joining or not forces with Biotechnica to handle the Raffles, V can side with Panam, saying that that admires the nomads' hunger for freedom.
 * Only Pain
 * V is able to get the NCPD cops to leave peacefully and leave the fate of the corpo to them.
 * V is able to get the corpo to tell them about what they did with the XBD to the girl mentioned by the cop.
 * Raymond Chandler Evening
 * V can tell the gangoons Pedro and Juan that Mama Welles doesn't like fights at El Coyote Cojo, and will probably whip out her shotgun and blast their heads off if she see they fuckin' up her joint. Both gangoons will then leave Joseph alone.
 * Talkin' 'bout a Revolution
 * V can ask Maiko Maeda if wouldn't it be better to ambush Hiromi Sato on the street while he's chomping on a scapdog or takin' a piss in a back alley, for example, instead of breakin' into a penthouse probably crawlin' with guards. Maiko will explain that Hiromi don't go anywhere without security, so one - makes no difference. Two - this is only a show of force, demonstrating what they are capable of. Which is a lot more than street thuggery.
 * Pyramid Song
 * V is able to figure out the song that Judy Alvarez is humming.
 * When V interacts with the sunken diner sign, Judy Alvarez describes a moment in V's streetkid background where they used to steal food off hot dog stands. V can then respond that about how much they enjoy the spicy hot dogs.
 * V can say to Judy Alvarez that Night City is not for everybody.
 * Violence
 * V can persuade the bouncer at Riot night club to find out Liam's whereabouts, asking why protect that rich asshole.
 * Gig: Woman of La Mancha
 * V can threaten Imad, that V will tell the Tyger Claws that Imad is hiding Anna Hamill.

Other

 * In idle dialogue with Kerry after completing Rebel! Rebel!, V can answer Kerry's question about why they're a mercenary by explaining that since they grew up in Night City, it was only natural that fixers gradually became attracted to people like them.